CHANNING TATUM - A Guide to Recognizing Your Saints AUTOGRAPH Signed 8x10 Photo

• CHANNING TATUM - A Guide to Recognizing Your Saints AUTOGRAPH Signed 8x10 Photo
• Authentic and Hand-Signed by Channing Tatum
• Certified Authentic with a Certificate of Authenticity
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Orlandito "Dito" Montiel, son of Orlando, a Nicaraguan immigrant, and an Irish mother, grew wild in the streets of Astoria, Queens, pulling pranks for Greek and Italian gangsters and confessing at the church of the Immaculate Conception, gobbling hits of purple mescaline and Old English, sneaking into Times Square whore housesâ€""Kids from nowhere going nowhere." This is the quintessentially American story of a young man's hunger for experience, his dawning awareness of the bigger world across the bridge, and of the loyalties that bind him to a violent past and to the flawed and des! perate saints that have guided him: Dito's father, Antonio "our insane warrior hero," Bob Semen, Frank the dog walker, Jimmy Mullen, Cherry Vanilla, Ginsberg and all the others, the drunks, coke-heads, junkies, the insaniacs like Santos Antonios who said, "Now Dito remember, in life you gotta be crazy."

"As far back as i can remember ... i can remember
manhattan." Orlandito "Dito" Montiel, son of Orlando, a
Nicaraguan immigrant, and an Irish mother, grew wild in the streets of
Astoria, Queens, pulling pranks for Greek and Italian gangsters and
confessing at the church of the Immaculate Conception, gobbling hits
of purple mescaline and Old English, sneaking into Times Square whore
housesâ€""Kids from nowhere going nowhere." At 14 Dito watched
as his best friend and surrogate older brother, Antonio, beat another
kid to death with a baseball bat during a gang fight. A Guide to
Recognizing Your Saints is the quintessentially Ame! rican story of a
young man’s hunger for experience, his! dawning awareness of the bigger
world across the bridge, and of the loyalties that bind him to a
violent past and to the flawed and desperate Saints that have guided
himâ€"a streetwise Meetings With Remarkable Men with echoes of
Whitman and Kerouac , Saturday Night Fever and Dion and the
Belmonts. Dito tasted short-lived notoriety as a model for Versace and
Calvin Klein, and as the leader of "the most successful
unsuccessful band in history," Gutterboy, a 15-minute darling
signed to Geffen for a then unprecedented million-dollar advance. But
this book is about the Saints: Dito’s father, Antonio "our insane
warrior hero," Bob Semen, Frank the dog walker, Jimmy Mullen,
Cherry Vanilla, Allen Ginsberg and all the others, the drunks,
coke-heads, junkies, the insaniacs like Santos Antonios who said,
"Now Dito remember, in life you gotta be crazy." Photographs by
Bruce Weber, Lance Staedler and Allen Ginsberg are feat! ured. A Guide
to Recognizing Your Saints is soon to be a major motion picture
directed by Robert Downey, Jr.
"As far back as i can remember ... i can remember
manhattan." Orlandito "Dito" Montiel, son of Orlando, a
Nicaraguan immigrant, and an Irish mother, grew wild in the streets of
Astoria, Queens, pulling pranks for Greek and Italian gangsters and
confessing at the church of the Immaculate Conception, gobbling hits
of purple mescaline and Old English, sneaking into Times Square whore
housesâ€""Kids from nowhere going nowhere." At 14 Dito watched
as his best friend and surrogate older brother, Antonio, beat another
kid to death with a baseball bat during a gang fight. A Guide to
Recognizing Your Saints is the quintessentially American story of a
young man’s hunger for experience, his dawning awareness of the bigger
world across the bridge, and of the loyalties that bind him to a
violent past and to the flawed and despe! rate Saints that have guided
himâ€"a streetwise Meetings Wi! th Remar kable Men with echoes of
Whitman and Kerouac , Saturday Night Fever and Dion and the
Belmonts. Dito tasted short-lived notoriety as a model for Versace and
Calvin Klein, and as the leader of "the most successful
unsuccessful band in history," Gutterboy, a 15-minute darling
signed to Geffen for a then unprecedented million-dollar advance. But
this book is about the Saints: Dito’s father, Antonio "our insane
warrior hero," Bob Semen, Frank the dog walker, Jimmy Mullen,
Cherry Vanilla, Allen Ginsberg and all the others, the drunks,
coke-heads, junkies, the insaniacs like Santos Antonios who said,
"Now Dito remember, in life you gotta be crazy." Photographs by
Bruce Weber, Lance Staedler and Allen Ginsberg are featured. A Guide
to Recognizing Your Saints is soon to be a major motion picture
directed by Robert Downey, Jr.
A coming-of-age drama about a boy growing up in astoria ny during the 1980s. As his friends end up dead on drugs or ! in prison he comes to believe he has been saved from their fate by various so-called saints. Studio: First Look Home Entertain Release Date: 09/04/2007 Starring: Robert Downey Jr Chazz Palminteri Run time: 98 minutes Rating: R A film adaptation of Dito Montiel's memoir of the same name, A Guide to Recognizing Your Saints is a compelling, thoughtful movie based on Montiel's childhood growing up in 1980s Queens. A writer and director who understands his limitations, Montiel wisely left the acting to the pros. Shia LaBeouf (Holes) plays him during his adolescence, while Robert Downey Jr. (Good Night, and Good Luck, Wonder Boys) portrays the grown-up Dito. Never mind that there is absolutely no physical resemblance between the two actors; LaBeouf and Downey are so convincing in their roles it doesn't matter. Switching effortlessly from present day (where Dito is a successful author) to the past (where he is a tough little kid trying to figure ou! t if there is life beyond New York), A Guide to Recognizing! Your Sa ints tackles Dito's complicated relationship with his parents (Chazz Palminteri and Dianne Wiest), as well as the friends he left behind. Eric Roberts is magnificent in a small role as one of Dito's tough, childhood buddies. His powerful performance makes viewers remember there was a time when Roberts was better known for his acting skills than for being Julia's big brother. Montiel--a first-time filmmaker--won the Director's Award at the 2006 Sundance Film Festival for his autobiographical movie. Raw, gritty, and honest, Saints) makes a strong impact and leaves the viewer curious as to how the rest of Montiel's life will work out. --Jae-Ha KimA coming-of-age drama about writer/director Dito Montiel's youth, the film captures the mid-1980's in the toughest neighborhood of Astoria, Queens. Dito (Robert Downey Jr.) called home after 15 years because his father (Chazz Palminteri) is ill, encounters old friends - the ones he lost, the ones he left behind, the o! nes he can't help but remember. These are Dito's saints. An honest account of a bittersweet return to a neighborhood where relationships can never be what they once were, Dito's story is about to come to terms with a father's rage and a father's love. A film adaptation of Dito Montiel's memoir of the same name, A Guide to Recognizing Your Saints is a compelling, thoughtful movie based on Montiel's childhood growing up in 1980s Queens. A writer and director who understands his limitations, Montiel wisely left the acting to the pros. Shia LaBeouf (Holes) plays him during his adolescence, while Robert Downey Jr. (Good Night, and Good Luck, Wonder Boys) portrays the grown-up Dito. Never mind that there is absolutely no physical resemblance between the two actors; LaBeouf and Downey are so convincing in their roles it doesn't matter. Switching effortlessly from present day (where Dito is a successful author) to the past (where he is a tough little kid! trying to figure out if there is life beyond New York), A ! Guide to Recognizing Your Saints tackles Dito's complicated relationship with his parents (Chazz Palminteri and Dianne Wiest), as well as the friends he left behind. Eric Roberts is magnificent in a small role as one of Dito's tough, childhood buddies. His powerful performance makes viewers remember there was a time when Roberts was better known for his acting skills than for being Julia's big brother. Montiel--a first-time filmmaker--won the Director's Award at the 2006 Sundance Film Festival for his autobiographical movie. Raw, gritty, and honest, Saints) makes a strong impact and leaves the viewer curious as to how the rest of Montiel's life will work out. --Jae-Ha KimThis digital document is an article from National Catholic Reporter, published by Thomson Gale on October 27, 2006. The length of the article is 1070 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com D! igital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Genuine strength: 'The Queen' finds it in Elizabeth II, 'A Guide to Recognizing Your Saints' in Queens.(MOVIES)(Movie review)
Author: Joseph Cunneen
Publication: National Catholic Reporter (Magazine/Journal)
Date: October 27, 2006
Publisher: Thomson Gale
Volume: 43 Issue: 2 Page: 16(1)

Article Type: Movie review

Distributed by Thomson GaleFast Shipping (Free USPS Upgrade, Ships within 24 hours); Eco-friendly packing materialThis is a great HAND-SIGNED 8x10 photo! You could own this picture that has been authentically autographed by this incredible actor. We never sell copies or reproductions of any kind; this photo has been hand-signed by Channing Tatum. This photo was signed in-person after Channing's appearance on Late Night with Jimmy Fallon on August 4, 2009. Don't miss your chance to own this fantastic item!

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Head In The Clouds : Widescreen Edition

• Widescreen

A mystery centering around a respectable judge, his wife, her ex-lover, their neighbor and a dead body that complicates all of their lives.A mystery centering around a respectable judge, his wife, her ex-lover, their neighbor and a dead body that complicates all of their lives.Movie Description It's a case of too many men--one of whom mysteriously winds up dead--for a recovering addict whose vacation with her husband at a secluded resort is interrupted by the appearance of an ex-lover and a hot-pants handyman. Credits Producer: Guy East, Helen Pollak, Jim Wilson, Tristan Whalley Cast: Billy Zane, Craig Sheffer Notes An InterMedia Films presentation. Additional credits: Tristan Whalley (executive producer); Maria M. Machado and Lynne Whiteford (associate producers). Based on the screenplay by Geir Eriksen and Eirik Ildahl. In SDDS (Sony Dynamic Digital Sound)., DVD Features: Region 1 Keep CaseNorway released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: Norwegian ( Dolby Digital 5.1 ), Norwegian ( Dolby DTS 5.1 ), English ( Subtitles ), Norwegian ( Subtitles ), ANAMORPHIC WIDESCREEN (1.85:1), SPECIAL FEATURES: Interactive Menu, SYNOPSIS: This Norwegian film offers an often grisly mixture of horror and black comedy. On an island near the Norwegian coast, a young couple, Einar and Lene are vacationing for the summer. One day, after Einar and friend Bjorn go fishing, Lene is visited by her former lover, Gaute. Gaute ends up getting drunk and naked in her home and then falls asleep. He never awakens and Lene is left to dispose of the body. Frightened, she hauls him to a potato cellar. In the process she accidently breaks the corpse's neck. As the story heats up, accusations of murder coupled with further attempts are everywhere as the characters try to determine w! hat happened to Gaute. ...Head Above Water ( Hodet over vannet ) ( Huvudet över vattnet )Netherlands released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital Stereo ), English ( Dolby Surround ), Dutch ( Subtitles ), SPECIAL FEATURES: Interactive Menu, Scene Access, Trailer(s), SYNOPSIS: A woman finds out how the dead body of your old boyfriend can ruin your whole day in this black comedy. Nathalie (Cameron Diaz) is a lovely young woman with a history of substance abuse problems who is married to George (Harvey Keitel), a circuit court judge who first met her when she was brought before him on a misdemeanor charge (he gave her a break, and they fell in love). Nathalie and George are vacationing at her family's summer cottage in Maine, with Nathalie's longtime friend (and former significant other) Lance (Craig Sheffer) tagging along. One day, while George an! d Lance are out fishing, Nathalie receives an uninvited and un! welcome visitor, her former boyfriend Kent (Billy Zane). Nathalie regards Kent as a symbol of the past that she's been trying to put behind her, and while he's eager to resume at least the physical side of their relationship, she wants no part of him. After a heated argument, Kent stumbles off to another part of the cottage, and just as George and Lance are about to return, Nathalie discovers that Kent is in her bedroom, naked and very dead. Correctly assuming that the presence of the nude body of her former lover in her bed would cast a bad reflection on her fidelity, Nathalie quickly tries to hide the corpse, with disastrous results. George discovers Kent's body, but since the judge would prefer not to have this sordid affair become a matter of public record, he hatches a plan of his own to get rid of the stiff, which also fails miserably. ...Head Above Water (1996)dvd

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Chicken Little

• Experience a fantastic world of breathtaking action in Disney's hilarious new movie CHICKEN LITTLE. It's "the perfect family film," raves Scott Mantz of Access Hollywood. When the sky really is falling and sanity has flown the coop, who will rise to save the day? Together with his hysterical band of misfit friends, Chicken Little must hatch a plan to save the planet from alien invasion and

Experience a fantastic world of breathtaking action in Disney's hilarious new movie CHICKEN LITTLE. It's "the perfect family film," raves Scott Mantz of Access Hollywood. When the sky really is falling and sanity has flown the coop, who will rise to save the day? Together with his hysterical band of misfit friends, Chicken Little must hatch a plan to save the planet from alien invasion and prove that the world's biggest hero is a little chicken. Overflowing with incredible music and bursting with exciting! bonus features, including alternate openings, an exclusive "making of" featurette, games, and much more, this sensational DVD is truly something to cluck about.A classic fable gets fused with War of the Worlds in Disney's Chicken Little. In the small town of Oakey Oaks, young Chicken Little (voiced by Zach Braff, Garden State) struggles to live down the embarrassment of having once thought the sky was falling. But when he gets struck again by a hexagonal, sky-camouflaged, hi-tech doohickey, he and his friends Ugly Duckling (Joan Cusack, School of Rock), Runt of the Litter (Steve Zahn, Sahara), and Fish Out of Water discover that aliens are preparing to invade Earth--but since no one believed Chicken Little the first time, why would they believe him now? Though kids will enjoy the bright whizz-bang action sequences of Chicken Little, discerning parents will find the movie tedious. Technically, it has the computer animation quality o! f Pixar--but with none of their intelligence, heart, or simple! storyte lling skill. The basic idea of connecting the fable to aliens is amusing, but the script routinely bogs down in clumsy father-son issues that seem like material edited out of Finding Nemo. The jokes rarely have anything to do with the characters, but are mostly pop-culture references that are sadly out of date. The action sequences were obviously created with the inevitable video game in mind, for which the movie is little more than an advertisement. Chicken Little falls flat. --Bret Fetzer

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Schrade SCHF1 Extreme Survival Special Forces Fixed Blade Knife, with Nylon Sheath

• 7.5" blade, 5.2" handle
• SAE 1070 High Carbon Steel blade and handle
• Includes screw driver multi-tool in handle
• Includes ballistic nylon sheath
• 17.8 ounces

ATTRIBUTES Blade Detail: ComboEdge Blade Length (inches): 7.50 Blade Material: 1070 High Carbon Carry System: Nylon Sheath Black Handle Material: 1070 Steel Overall Length (inches): 12.50 Special Features: End Cap Attached w/ 10-pcs bits an Aluminum Magnetic Bit Holder & a Bar

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Eden of the East: The Complete Series [Blu-ray]

• EDEN OF THE EAST - COMPLETE SERIES - BR (DVD)

Manchester in 1971 is not the ideal time and place to raise a proper Pakistani family. But George Khan (Om Puri), father of seven unruly moppets and husband to a willful British wife (Linda Bassett), is determined to wield his influence over his clan. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversial?--works of art; Tariq (Jimi Mistry), the mod boy who lives for discos and English girls; Meenah (Archie Panjabi), the only girl and tomboy extraordinaire; and Sajid (Jordan Routledge), who lives in a dirty fur-trimmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.\n "East Is East" is Damien O'Donnell's directorial debut, and he nails the! raucous tone from the opening scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the children milk the cultural differences for every laugh they can. Yet the film takes a more somber turn when Saleem balks at his father's insistence on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he metamorphoses. Sympathies toward the characters shift throughout the film, highlighting the superb acting of the entire cast. Ultimately, though, humor wins out, making "East Is East" a tremendously fun film. "--Jenny Brown"Manchester in 1971 is not the ideal time and place to raise a proper Pakistani family. But George Khan (Om Puri), father of seven unruly moppets and husband to a willful British ! wife (Linda Bassett), is determined to wield his influence ove! r his cl an. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversial?--works of art; Tariq (Jimi Mistry), the mod boy who lives for discos and English girls; Meenah (Archie Panjabi), the only girl and tomboy extraordinaire; and Sajid (Jordan Routledge), who lives in a dirty fur-trimmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.

East Is East is Damien O'Donnell's directorial debut, and he nails the raucous tone from the opening scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the children milk the cultural differences for every laugh they can. Yet the film takes a more somber turn when Saleem balks at his father's insisten! ce on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he metamorphoses. Sympathies toward the characters shift throughout the film, highlighting the superb acting of the entire cast. Ultimately, though, humor wins out, making East Is East a tremendously fun film. --Jenny BrownManchester in 1971 is not the ideal time and place to raise a proper Pakistani family. But George Khan (Om Puri), father of seven unruly moppets and husband to a willful British wife (Linda Bassett), is determined to wield his influence over his clan. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversial?--works of art; Tariq (Jimi Mistry), the mod boy who lives for discos and English girls; Meenah (Archie Panjabi), the only girl and tomboy extr! aordinaire; and Sajid (Jordan Routledge), who lives in a dirty! fur-tri mmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.

East Is East is Damien O'Donnell's directorial debut, and he nails the raucous tone from the opening scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the children milk the cultural differences for every laugh they can. Yet the film takes a more somber turn when Saleem balks at his father's insistence on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he metamorphoses. Sympathies toward the characters shift throughout the film, highlighting the superb acting of the entire cast. Ultimately, though, hum! or wins out, making East Is East a tremendously fun film. --Jenny BrownA young Japanese seaman jumps ship off the coast of Georgia and washes ashore on a barrier island inhabited by a strange mix of rednecks, descendents of slaves, genteel retired people, and a colony of artists. The result is a sexy, savagely hilarious tragicomedy of thwarted expectations, mistaken identity, love, jealousy and betrayal. "An absolutely stunning work, full of brilliant cross-cultural insights."--The New York Times Book Review.Manchester in 1971 is not the ideal time and place to raise a proper Pakistani family. But George Khan (Om Puri), father of seven unruly moppets and husband to a willful British wife (Linda Bassett), is determined to wield his influence over his clan. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversial?--works of art; Tariq (Jimi Mistry), the mod boy who lives for! discos and English girls; Meenah (Archie Panjabi), the only g! irl and tomboy extraordinaire; and Sajid (Jordan Routledge), who lives in a dirty fur-trimmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.

East Is East is Damien O'Donnell's directorial debut, and he nails the raucous tone from the opening scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the children milk the cultural differences for every laugh they can. Yet the film takes a more somber turn when Saleem balks at his father's insistence on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he metamorphoses. Sympathies toward the characters shift throughout the! film, highlighting the superb acting of the entire cast. Ultimately, though, humor wins out, making East Is East a tremendously fun film. --Jenny BrownManchester in 1971 is not the ideal time and place to raise a proper Pakistani family. But George Khan (Om Puri), father of seven unruly moppets and husband to a willful British wife (Linda Bassett), is determined to wield his influence over his clan. But what a clan this is, with Nazir (Ian Aspinall), who refuses his arranged wife; Saleem (Chris Bisson) who creates--shall we say controversial?--works of art; Tariq (Jimi Mistry), the mod boy who lives for discos and English girls; Meenah (Archie Panjabi), the only girl and tomboy extraordinaire; and Sajid (Jordan Routledge), who lives in a dirty fur-trimmed parka. Abdul (Raji James) and Maneer (Emil Marwa) stay more quietly in the background, although they lend their voices to the chorus of dissent against traditional ways.

East Is East is Damien O'D! onnell's directorial debut, and he nails the raucous tone from! the ope ning scene, a church parade where the Pakistani children must do some deft maneuvering to avoid being seen by their Muslim father. At times such as these, the film is a straightforward comedy, and the children milk the cultural differences for every laugh they can. Yet the film takes a more somber turn when Saleem balks at his father's insistence on arranging Saleem's marriage. Puri is magnificent straddling the line between lovable father and brute enemy as he demands that the others obey his will, and his performance can be difficult to watch as he metamorphoses. Sympathies toward the characters shift throughout the film, highlighting the superb acting of the entire cast. Ultimately, though, humor wins out, making East Is East a tremendously fun film. --Jenny BrownRe-issue of this intensely likeable best-selling comedy to coincide with extensive nationwide tour from Sept 05 to April 06. In Salford 1970: the Khan children, caught between bell-bottoms and ar! ranged marriages, are buffeted this way and that by their Pakistani father's insistence on tradition, their English mother's laissez-faire and their own wish to be citizens of the modern world. Successfully filmed, after a rags-to-riches stage career that began in Birmingham in 1996, went on to a London premiere at the Royal Court, and culminated in the West End, "East is East" is a firm favourite with schools and theatres alike. It is one of NHB's top ten best-selling plays.The swordsman series continues with the reappearance of the isolated transgender asia the invincible to refute those who have used his name for fame and power. Special features: subtitles in english chinese korean japanese vietnamese thai malaysian and indonesian chapters and filmographies. Studio: Tai Seng Entertainment Release Date: 10/24/2000 Starring: Brigitte Lin Joey Wang Run time: 108 minutes Rating: Nr Director: Ching Siu TungAkira Takizawa wakes up naked outside the White House with no me! mories. He’s got a gun in one hand, a cell phone in the othe! r, and d oesn’t know if he’s a good guy or one of the worst. He doesn’t remember the phone gives him instant access to ten billion yen and a woman who can make his most outlandish requests a reality. He doesn’t recall his connection to the ongoing missile attacks terrorizing the Japanese people. Or the part he played in the sudden disappearance of 20,000 shut-ins. He doesn’t even remember he’s supposed to save Japan and will be murdered if he fails. Whatever it is he’s tangled up in, Takizawa’s definitely in deep â€" and that’s not even scratching the surface.Eden of the East scored a big hit in Japan when the series aired in spring 2009: in less than a year, two follow-up features continued the story, The King of Eden and Paradise Lost. Twentysomething Akira Takizawa wakes up in Washington, DC, buck naked and stripped of his memories: all he has is a gun and a super-sophisticated mobile phone that delivers anything he requests. He meets Saki Mo! rimi, a college senior on her graduation trip to America, and returns with her to Japan. Takizawa tries to recover his memories, which may be linked to a pair of missile attacks on Japan and the disappearance of 20,000 NEETS (young men with No Employment, Education or Training). From his phone--which provides the equivalent of more than Â¥8 million (about $100,000,000), Takizawa learns that he is a seleçao, one of 12 agents charged by the mysterious Mr. Outside with saving a faltering, apathetic Japan. As he resolves the mystery of his identity, Takizawa gets help from Saki, her friends, and a hikikomori superhacker. Eden of the East was written and directed by Kenji Kamiyama, writer-director of the popular Ghost in the Shell: Stand Alone Complex. Kamiyama once again demonstrates his exceptional skill at building suspense and weaving an exciting fantasy. The cyber-terrorism elements of Eden recall the "Laughing Man" mystery in Stand Al! one Complex, but this time Kamiyama is working with his ow! n charac ters and world, and the results are more intriguing. The taut scripts and a winning performance by voice actor Jason Liebrecht make Takizawa an appealing hero, even in the most improbable circumstances. Eden of the East ranks among the very best anime of 2010. (Rated TV MA: violence, nudity, risqué humor, alcohol and tobacco use) --Charles Solomon

(1. I Picked Up a Prince, 2. Melancholy Monday, 3. On the Night of the Late Show, 4. Real Reality, Fabricated Reality, 5. This Is No Time to Be Thinking About That… 6. Eden of the East, 7. Flight of the Black Swan, 8. Searching for the Path Already Lost, 9. A Man Too Ephemeral, 10. Who Killed Akira Takizawa? 11. The East That Continues On)

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The Last Song

• LAST SONG (DVD MOVIE)

John C. Reilly, Jonah Hill and Oscar® Winner Marisa Tomei star in this quirky, hilarious story about love, family and cutting the cord. Not-so-recently divorced John (Reilly) thinks he’s finally found the perfect woman when he meets the sweet and sexy Molly (Tomei). There’s just one problem â€" Molly’s son Cyrus (Hill) clings to his mom like lint on a T-shirt, and he’s not about to let another man come between them. It’s one hysterically awkward moment after another as John and Cyrus fight for the right to be Molly’s #1 man. Mumblecore auteurs the Duplass brothers (Baghead, The Puffy Chair) dip their toes in the precarious waters of Hollywood by casting well-known actors in Cyrus. But their devotion to clumsy, uncomfortable people remains: John (John C. Reilly, Step Brothers) has barely left his apartment in the seven years sinc! e Jamie (Catherine Keener, Lovely & Amazing) divorced him, so Jamie demands he come to a party--where, miraculously, he meets Molly (Marisa Tomei, The Wrestler), who seems like the woman of his dreams. Unfortunately, Molly comes with some baggage: her 22-year-old son, Cyrus (Jonah Hill, Superbad). To say Molly and Cyrus are close is an understatement, and John finds himself in a battle of wills with Molly as the prize. The Duplass brothers seek a kind of cinematic simplicity--to call it purity would be too highbrow for these aggressively pedestrian filmmakers--and when it works, it brings the viewer in intimate contact with life in its ordinary, essential glory. When it doesn't work, it's just dull. Despite its flatfooted plot, Cyrus works pretty well. The higher caliber of the cast helps--Reilly, Tomei, Hill, and Keener are all excellent, and much of the movie is genuinely funny. Don't expect elegance, but sometimes, something plain can please. ! --Bret FetzerJohn C. Reilly, Jonah Hill and Oscar® Win! ner Mari sa Tomei star in this quirky, hilarious story about love, family and cutting the cord. Not-so-recently divorced John (Reilly) thinks he’s finally found the perfect woman when he meets the sweet and sexy Molly (Tomei). There’s just one problem â€" Molly’s son Cyrus (Hill) clings to his mom like lint on a T-shirt, and he’s not about to let another man come between them. It’s one hysterically awkward moment after another as John and Cyrus fight for the right to be Molly’s #1 man. Mumblecore auteurs the Duplass brothers (Baghead, The Puffy Chair) dip their toes in the precarious waters of Hollywood by casting well-known actors in Cyrus. But their devotion to clumsy, uncomfortable people remains: John (John C. Reilly, Step Brothers) has barely left his apartment in the seven years since Jamie (Catherine Keener, Lovely & Amazing) divorced him, so Jamie demands he come to a party--where, miraculously, he meets Molly (Marisa Tomei, T! he Wrestler), who seems like the woman of his dreams. Unfortunately, Molly comes with some baggage: her 22-year-old son, Cyrus (Jonah Hill, Superbad). To say Molly and Cyrus are close is an understatement, and John finds himself in a battle of wills with Molly as the prize. The Duplass brothers seek a kind of cinematic simplicity--to call it purity would be too highbrow for these aggressively pedestrian filmmakers--and when it works, it brings the viewer in intimate contact with life in its ordinary, essential glory. When it doesn't work, it's just dull. Despite its flatfooted plot, Cyrus works pretty well. The higher caliber of the cast helps--Reilly, Tomei, Hill, and Keener are all excellent, and much of the movie is genuinely funny. Don't expect elegance, but sometimes, something plain can please. --Bret FetzerAmbitious television reporter Maria Sanchez (Danielle Harris of Rob Zombie's Halloween, Hatchet 2) is investigating the disappearance of o! ver 200 Midwestern University students when a local man (Lance! Henriks en of Aliens) contacts her with information that reveals details of the serial killer and his crimes: His name is Cyrus (a chilling performance by Brian Krause of ''Charmed'') and the murders themselves were brutal. What happened next was horrific but the worst is still to come. Based on shocking true events, this bloody and brutal story of the 'The County Line Cannibal' will leave a taste in your mouth that you'll never forget.

In 1906, a stilted English translation of Xenophon of Athens' story about Cyrus the Great's military campaigns was published. Now, a century later, a much more accessible edition of one of history's most extraordinary and successful leaders is emerging.

Among his many achievements, this great leader of wisdom and virtue founded and extended the Persian Empire; conquered Babylon; freed 40,000 Jews from captivity; wrote mankind's first human rights charter; and ruled over those he had conquered with respect and benevolence.!

According to historian Will Durant, Cyrus the Great's military enemies knew that he was lenient, and they did not fight him with that desperate courage which men show when their only choice is "to kill or die." As a result the Iranians regarded him as "The Father," the Babylonians as "The Liberator," the Greeks as the "Law-Giver," and the Jews as the "Anointed of the Lord."

By freshening the voice, style and diction of Cyrus, Larry Hedrick has created a more contemporary Cyrus. A new generation of  readers, including business executives and managers, military officers, and government officials, can now learn about and benefit from Cyrus the Great's extraordinary achievements, which exceeded all other leaders' throughout antiquity.

Miley Cyrus shines as the star of this heartwarming coming-of-age movie that will strike your emotional chords. Based on the novel by Nicholas Sparks (Dear John, The Notebook), The Last Song follows R! onnie (Cyrus) and her estranged father as he tries to restore ! the lovi ng relationship they once had. But reconnecting with his rebellious daughter isn’t easy, so he chooses the one thing they still have in common â€" music. Complete with not-to-be-missed bonus features â€" the Miley Cyrus music video “When I Look At You,” exclusive interviews with the actress and more â€" this uplifting and touching drama about family, first loves and second chances is a heartfelt story to you won’t soon forget.
This romantic tearjerker from writer Nicholas Sparks (Dear John, The Notebook) can be formulaic at times, but it stays interesting thanks to pacing and snappy dialogue. Miley Cyrus sulks through The Last Song as troubled teen Ronnie, who resents her father (Greg Kinnear) for divorcing Mom (Kelly Preston) and leaving the family. A piano prodigy, Ronnie refuses to play after her father leaves, and she snubs admission to Julliard. Ronnie and her wisecracking brother Jonah (Bobby Coleman) are sent to spend the summer with ! their father in a small Georgia beach town. Handsome townie Will (Liam Hemsworth) strikes up a tense relationship with Ronnie and, true to romance formula, they fall in love. Ronnie softens her attitude and the ice between father and daughter begins to melt away. But Dad has a tragic secret, and in the end, music helps Ronnie open her heart and heal. Cyrus gives a predictable performance as the all-attitude Ronnie, but she's helped along by Coleman's cute-little-brother shtick (which can be a bit heavy-handed, but the youngster is a scene-stealer). Veteran actors Preston and Kinnear are one-dimensional, but The Last Song is a harmless teen romance--who's watching the adults, anyway? --Francine Ruley

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A Good Day to be Black & Sexy

• GOOD DAY TO BE BLACK & SEXY (DVD MOVIE)

This digital document is an article from Colorlines Magazine, published by Color Lines Magazine on March 1, 2009. The length of the article is 621 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available immediately after purchase. You can view it with any web browser.

Citation Details
Title: Films.('Salt of this Sea', 'I Like It Like That', 'A Good Day to Be Black and Sexy')(Movie review)
Author: Roya Rastegar
Publication: Colorlines Magazine (Magazine/Journal)
Date: March 1, 2009
Publisher: Color Lines Magazine
Volume: 12 Issue: 2 Page: 28(1)

Article Type: Movie review

Distributed ! by Gale, a part of Cengage LearningA between-the-sheets perspective on black love and sexuality, shown through the interactions of several couples during a single day in Los Angeles.

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Dust Tactics Core Set

• 9 double-sided boards to customize your own battle
• A deep and engaging setting
• A battle book including eight unique scenarios
• Quick-start rules to get into the action quickly

A hungry alien substance has traveled to Earth following a doomed Lunar mission, and it's consuming everything it touches, leaving behind drifts of gray death. No life form stands a chance, but Clyde Jackson is tougher than most. He's seen war and he's been in plenty of foxholes. Now he's living through the end of the world one day at a time in a panic room that has become his only refuge. It's only a matter of time before the ventilation fails, and it'll only take a single gray speck to end it all...

Originally featured in The Absent Willow Review e-zine, DUST is the haunting meditation of a man recalling the final days of a once mighty and hopeful planet now quickly eroding to nothin! g under drifts of gray.A hungry alien substance has traveled to Earth following a doomed Lunar mission, and it's consuming everything it touches, leaving behind drifts of gray death. No life form stands a chance, but Clyde Jackson is tougher than most. He's seen war and he's been in plenty of foxholes. Now he's living through the end of the world one day at a time in a panic room that has become his only refuge. It's only a matter of time before the ventilation fails, and it'll only take a single gray speck to end it all...

Originally featured in The Absent Willow Review e-zine, DUST is the haunting meditation of a man recalling the final days of a once mighty and hopeful planet now quickly eroding to nothing under drifts of gray.The hard got harder and the heavy got heavier on Dust's 1972 LP, a sought-after prize among collectors of American metal. Singer/guitarist Richie Wise and band manager/lyricist Kenny Kerner would produce Kiss' first two albums two years lat! er, and you can hear early echoes of that here; includes Pull ! Away/So Many Times; Ivory; How Many Horses , and more!1947. The Second World War rages on. Unfathomable artillery machines march across the globe leaving a wake of destruction. In Antarctica a secret research base forms the center of a covert battle between allied and axis forces. will you protect the secrets of this hidden base from the invading Allies or liberate its contents from the hands of the Axis? Based on DUST comics world created by Paolo Parente Dust Tactics introduces an exciting alternate vision of WWII with amazing machines roughneck grunts and stalwart commando leaders each dedicated to the cause patriots in the war for world domination. This boxed set comes with two ready-to-play armies as well as a scenario booklet and modular board.

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Mr. Bean's Holiday (Widescreen Edition)

• Features include: -MPAA Rating: G -Format: DVD-Runtime: 90 minutes

THE BOARD OF A FAMED BRITISH MUSEUM HAS FINALLY FIGURED OUT HOW TO DISPOSE OF THEIR MOST USELESS EMPLOYEE,MR. BEAN,BY SENDING HIM TO AMERICA WITH THE PAINTING OF WHISTLER'S MOTHER. BEAN ISLOOSE AND LOS ANGELES WILL NEVER BE THE SAME AGAIN!Translating Rowan Atkinson's Mr. Bean character from British television to the big screen takes a bit of a toll, but there are some hilarious sequences in this popular comedy. Bean, a boy-man twit with a knack for getting into difficult binds (and then making them worse and worse and worse), is a London museum guard who is sent to Los Angeles in the company of the famous painting Whistler's Mother. He's mistaken as an art expert by the well-meaning curator (Peter MacNicol) of an L.A. museum, but Bean's famously eccentric behavior soon causes the poor guy to almost lose his family and j! ob. The insularity of Bean's TV world is sacrificed in this film, and that change diminishes some of the character's appeal. But Atkinson is a man naturally full of comedy, and he doesn't let his fans down. --Tom Keogh Rowan Atkinson (Johnny English, Blackadder) stars as the iconic Mr. Bean, who never fails to leave a trail of merry mayhem and side-splitting laughter in his wake. His exploits have earned MR. BEAN a slew of awards and an international cult following, and now every one of his live adventures is conveniently packed up in one tidy box.

Included in this collector s set are all 14 episodes of the landmark original series that introduced Mr. Bean to an adoring, if confused, world, as well as his two feature films Mr. Bean: The Movie and Mr. Bean s Holiday. And if that s not enough, a bonus helping of Mr. Bean: The Animated Series features him in the role he was drawn to play. It all adds up to the ultimate serving of Bean, so pull up a chair and dig ! right in.

Contents Include

THE WHOLE BEAN
BEA! N: THE M OVIE
MR. BEAN S HOLIDAY
BONUS: THE ANIMATED SERIESBEAN THE MOVIE Call him hilarious. Call him laugh-out-loud funny. But whatever you do, call him BEAN. In the comedy that rocked America, Rowan Atkinson is the outrageous Mr. Bean, sent on a mission to California to escort the world famous painting of Whistler's Mother to its new home in the Grierson Gallery. He's also clumsy, crazy, wacky, wild, and certainly not someone you'd entrust one of the world's most valuable paintings to. With only hours to go before the official unveiling by the museum's benefactor, General Newton (Burt Reynolds), something terrible has happened to Whistler's Mother and only one man has the power to put it right. The only problem is... that man is BEAN. JOHNNY ENGLISH He knows no fear. He knows no danger. He knows… nothing! When the priceless Crown Jewels are stolen, bumbling Johnny English (Rowan Atkinson) is the only secret agent in the country (literally!) who can solve the crime. His pri! me suspects: a sinister businessman (John Malkovich) and a beautiful woman (Natalie Imbruglia) with a mysterious interest in Johnny's top-secret mission. Can the clueless superspy save the day without denting the nation's pride… or his super-cool Aston Martin?He captured the hearts of millions of viewers worldwide. His movie grossed nearly a quarter of a billion dollars worldwide. He's been called the most embarrassing man on the planet. Now the entire Mr. Bean series, the British comic phenomenon created by Rowan Atkinson (Blackadder, Four Weddings and a Funeral), is finally available in one complete package.Bean, Bean, maniacal nut / The more you watch, you bust a gut! First unleashed in 1989, this sketch series was embraced by PBS viewers in the United States. In the tradition of the great silent clowns, Rowan Atkinson created a character with universal and multi-generational appeal (the sketches have little dialogue and are driven by often inge! nious physical comedy). Like Bart Simpson, the resourceful, mi! schievou s, and sometimes malevolent Bean is the inner child incarnate who acts on the impulses polite society normally represses. Atkinson has described Bean as "a 9-year-old boy, with an apparent lack of worldly experience, but an ingenuity that is quite clever in dealing with problems presented to him." These problems include not knowing a single answer on an exam, tactfully disposing of a revolting restaurant meal, changing into his swimsuit at the beach without first removing his pants, and, most hilariously, getting a turkey stuck on his head (a classic bit reprised in the ill-conceived 1997 feature film).

Atkinson has enjoyed some mainstream success stateside. He was the nervous minister ("...your awfully wedded wife") in Four Weddings and a Funeral, and the voice of Zazu in The Lion King. But he mainly enjoys cult status among British comedy aficionados as a founding member of Not the Nine O'Clock News and the star of the Black Adder series. B! ean is his crowning creation. In addition to all 14 episodes, this generous boxed set contains previously unaired sketches, Comic Relief appearances, and a segment about Bean's creation, which serves as a nifty introduction for the uninitiated. It also contains a preview for the new Mr. Bean animated series. This seems redundant. As this collection hilariously demonstrates, Bean is already animated enough. --Donald LiebensonRowan Atkinson (Bean, Love Actually, Johnny English) returns to his iconic role as the comical and endearing Mr. Bean in this outrageous comedy adventure! Mr. Bean (Atkinson) can't believe his luck when he wins a camcorder and an all-expense-paid vacatio Welcome back, Mr. Bean! After a too-long hiatus, it's a breath of fresh air to see you out and about, innocent as ever, unwitting in the havoc you wreak and clueless in the chaos you cause. In Mr. Bean's Holiday (the title echoes Jacques Tati's breezy 1953 classic Mr. Hulot's Hol! iday), the resourceful man-child Bean (Rowan Atkinson) win! s a chur ch raffle that packs him off to the beaches of the south of France. But getting there is all the funny, as he is detoured by one mishap after another. En route, he comes to the "aid" of a Cannes Film Festival judge's young son, who is separated (no thanks to Bean) from his father at the train station. Bean also stumbles upon a commercial shoot directed by a stereotypical egomaniacal American filmmaker (Willem Dafoe), and crosses paths with an aspiring actress (a charming Emma de Caunes) also on her way to Cannes. Mr. Bean's Holiday, an upgrade over the 1997 feature Bean, was a box-office smash around the world, but in the States, not so much. Here, the shock gag has replaced the sight gag, and this G-rated Holiday might be considered by more jaded viewers as out of step with contemporary tastes (unlike Borat, there is not a mean-spirited bone in Bean's gangly, malleable body). But in the classic tradition of the silent-movie clowns, Bean's visual ! comedy is universal and requires little translation (there are limited subtitles in this film). Younger children will find a kindred spirit in Bean, who exists in some kind of state of grace, whether trying to digest a disgusting seafood dinner or hilariously lip-syncing to an opera in a public square. --Donald Liebenson

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Elsa & Fred

• Elsa & Fred is a story about two people who, at the end of the road, discover that it s never too late to love or to dream. Elsa is 82 years-old, while Alfredo is a bit younger than her. After losing his wife, Alfredo feels disturbed and confused so his daughter suggests him it would be best if he moved into a smaller apartment. There he ll meet Elsa. From that moment on, everything changes. Elsa

Elsa & Fred is a story about two people who, at the end of the road, discover that it s never too late to love... or to dream. Elsa is 82 years-old, while Alfredo is a bit younger than her. After losing his wife, Alfredo feels disturbed and confused so his daughter suggests him it would be best if he moved into a smaller apartment. There he ll meet Elsa. From that moment on, everything changes. Elsa bursts into his life like a whirlwind, determined to teach him that the time he has left to live - be ! it more or less - is precious and that he should enjoy it as he pleases.


Elsa & Fres es la historia de dos personas que al final del camino descubren que nunca es demasiado tarde para amar....o soñar. Elsa tiene 82 años, mientras que Alfredo es un poco más joven que ella. Después de perder a su esposa, Alfredo se siente perturbado y confundido por lo que su hija le sugiere mudarse a un departamento más pequeño. Ahí conocerá a Elsa. Desde ese momento todo cambia completamente. Elsa irrumpe en su vida como un torbellino dispuesta a demostrarle que el tiempo que le queda de vida, mucho o poco, es precioso y puede disfrutarlo como le plazca.

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Virtua Fighter 5

• Two New Characters, El Blaze and Eileen, round out the cast of 17 dynamic fighters. El Blaze is a Mexican wrestling champion that uses the Lucha Libre fighting style, and Eileen, originally from China, uses Kou Ken (Monkey Kung Fu style) which she learned
• Stunning highly-detailed 3D fi ghting environments inspired by locations around the world allow players to challenge their opponents in unique types of arenas.
• New offensive move lets players move around their opponent from the side and back allowing players to be more strategic with their battle.
• Customize characters with the enhanced attachment system and customization engine giving players more fl exibility than ever before when creating their characters.
• Next-Gen presentation includes HD resolution (widescreen) and Dolby® Digital 5.1CH sound.

Small-town boy Shawn MacArthur (Channing Tatum, G.I. Joe: The R! ise of Cobra, Public Enemies) knows firsthand that every day in New York City is a struggle to survive. So when scam artist Harvey Boarden (Terrence Howard, Iron Man, Hustle and Flow) gives him a chance to be something more in the brutal underground world of bare-knuckle street-fighting, Shawn decides that he has something worth fighting for and puts everything on the line to win. Every knockout brings him closer to the life he’s always wanted, but also traps him in a dangerous web he can’t escape.The last thing you might expect from a movie called Fighting is excellent acting, but that’s what you’ll get. A scam artist named Harvey (Terrence Howard) sees a young would-be hustler named Shawn (Channing Tatum, Step Up, Stop-Loss) in a street scuffle and lures him into a no-rules fighting circuit. Shawn’s relentless drive to win leads him to unexpected success, but when he gets put into a big fight with a professional boxer, Harvey asks Shawn to take a dive. The plot ! sounds like a thousand boxing movies, but the difference is al! l in the texture. Fighting takes place in a very real New York City, with cramped, make-shift apartments, cluttered streets, and seedy nightclubs. Scenes get knocked sideways by odd bits of life and character quirks that feel organic, not shoehorned in by some clever screenwriter. There’s a marvelous scene where Shawn is trying to woo the Puerto Rican waitress he’s smitten with (Zulay Henao, Feel the Noise), but they keep getting interrupted by her suspicious mother--which sounds like a rom-com cliche, but is completely transformed by the wonderfully human interplay among the actors. Howard has always had a magnetic talent, but Tatum reveals an engaging vulnerability that contrasts nicely with his big-slab-of-beefcake look. The movie hearkens back to 1970s classics like Midnight Cowboy and Dog Day Afternoon, and though it doesn’t achieve the same emotional heights, it’s reaching in the right direction. Writer/director Dito Montiel (whose previous film, A Guide to Recognizing! Your Saints, also featured Tatum) promises to make some truly memorable movies. --Bret Fetzer

Stills from Fighting (Click for larger image) Small-town boy Shawn MacArthur (Channing Tatum, G.I. Joe: The Rise of Cobra, Public Enemies) knows firsthand that every day in New York City is a struggle to survive. So when scam artist Harvey Boarden (Terrence Howard, Iron Man, Hustle and Flow) gives him a chance to be something more in the brutal underground world of bare-knuckle street-fighting, Shawn decides that he has something worth fighting for! and puts everything on the line to win. Every knockout brings! him clo ser to the life he’s always wanted, but also traps him in a dangerous web he can’t escape.The last thing you might expect from a movie called Fighting is excellent acting, but that’s what you’ll get. A scam artist named Harvey (Terrence Howard) sees a young would-be hustler named Shawn (Channing Tatum, Step Up, Stop-Loss) in a street scuffle and lures him into a no-rules fighting circuit. Shawn’s relentless drive to win leads him to unexpected success, but when he gets put into a big fight with a professional boxer, Harvey asks Shawn to take a dive. The plot sounds like a thousand boxing movies, but the difference is all in the texture. Fighting takes place in a very real New York City, with cramped, make-shift apartments, cluttered streets, and seedy nightclubs. Scenes get knocked sideways by odd bits of life and character quirks that feel organic, not shoehorned in by some clever screenwriter. There’s a marvelous scene where Shawn is trying to woo the Puerto Ri! can waitress he’s smitten with (Zulay Henao, Feel the Noise), but they keep getting interrupted by her suspicious mother--which sounds like a rom-com cliche, but is completely transformed by the wonderfully human interplay among the actors. Howard has always had a magnetic talent, but Tatum reveals an engaging vulnerability that contrasts nicely with his big-slab-of-beefcake look. The movie hearkens back to 1970s classics like Midnight Cowboy and Dog Day Afternoon, and though it doesn’t achieve the same emotional heights, it’s reaching in the right direction. Writer/director Dito Montiel (whose previous film, A Guide to Recognizing Your Saints, also featured Tatum) promises to make some truly memorable movies. --Bret Fetzer

Stills from Fighting (Click for larger image) Virtua Fighter returns with the next release in the series. Virtua Fighter 5 includes new features like enhanced gameplay mechanics, added characters, new fighting styles, and redesigned environments.

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Four Minutes

• For over sixty years, aged pianist Traude Kr ger has been teaching piano at the women's prison. But she's never met someone like Jenny, a convicted killer beating everything around her to a pulp just to amuse herself. But Jenny used to be a great musical talent. And she still is under her impenetrable facade. She could manage to win a prestigious piano contest she is allowed to participate

For over sixty years, aged pianist Traude Krüger has been teaching piano at the women s prison. But she s never met someone like Jenny, a convicted killer beating everything around her to a pulp just to amuse herself. But Jenny used to be a great musical talent. And she still is under her impenetrable facade. She could manage to win a prestigious piano contest she is allowed to participate in despite her prison sentence. However, a contest is no challenge to someone who wants life to stand still.Four Mi! nutes recalls the lineage of films dedicated to marginalized characters who find solace in piano playing, such as Jane Campion’s The Piano, yet there is more to this drama than the story of a woman yearning for autonomy. Jenny (Hannah Herzsprung), a prisoner described as the type to "steal a smoke from a corpse" by another inmate, is wasting away in a German penitentiary until she is recruited by piano teacher, Traude Krüger (Monica Bleibtrau), to train for a contest coming up. Krüger, who sees Jenny’s fingers keying organ music on her church pew in Sunday mass, realizes Jenny’s innate talent and slowly heals her student through music as well as through conversations revealing their mutually difficult pasts. While Jenny’s violent outbursts continuously disrupt her piano privileges, Traude heroically defends Jenny in meetings with the hard-edged warden, Mr. Meyerbeer (Stefan Kurt). The crux of the story lies in the friendship forged between these women t! hrough Traude’s determination to heal her young prodigy. Thr! ough fla shback, the viewer learns what male violence was inflicted upon each lady. Four Minutes, subtitled from German, is a bit humorless, and one doesn’t glimpse even a slight smile on any character’s face until fifty minutes of film have rolled. Jenny’s outbursts at the piano as well, such as when she plays handcuffed to defy Meyerbeer, are overwrought. Still, the lack of sentimentality inherent to each character lends a wry realism to the intelligent script, such as when Ms. Krüger tells Jenny to stop playing "negro music," exposing her antiquated, uptight musical taste. Four Minutes succeeds at illustrating a relationship in which two women cut from different cloth share commonalities that assume a female essence, though at their core they crave a universal desire for freedom. --Trinie Dalton

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The Bourne Ultimatum (Bourne Trilogy, Book 3)

• ISBN13: 9780553287738
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Matt Damon returns as highly trained assassin Jason Bourne, who is on the hunt for the agents who stole his memory and true identity. With a new generation of skilled CIA operatives tracking his every move, Bourne is in a non-stop race around the globe as he finally learns the truth behind his mysterious past. Loaded with incredible fight and chase sequences, it's the exhilarating movie with "mind-blowing action" (Roger Ebert, Chicago Sun-Times) that you can't afford to miss!The often breathtaking, final installment in the Bourne trilogy finds the titular assassin with no memory closing in on his past, finally answering his own questions about his real identity and how he came to be a seemingl! y unstoppable killing machine. Matt Damon returns for another intensely physical performance as Jason Bourne, the rogue operative at war with the CIA, which made him who and what he is and managed to kill his girlfriend in the series' second film, The Bourne Supremacy. Now looking for payback, Bourne goes in search for the renegade chief of CIA operations in Europe and North Africa, partnering for a time with a mysterious woman from his past (Julia Stiles) and constantly--constantly--on the run from assassins, intelligence foot soldiers, and cops. Directed by Paul Greengrass (United 93) with the director’s thrilling, trademark textures and shaky, documentary style, The Bourne Ultimatum is largely a succession of action scenes that reveal a lot about the story’s characters while they’re under duress. Joan Allen, Albert Finney, David Strathairn, Scott Glenn, and Paddy Considine comprise the film’s terrific supporting cast, and the well-traveled mo! vie leads viewers through Turin, Madrid, Tangiers, Paris, Lond! on, and New York. Overall, this is a satisfying conclusion to Bourne’s exciting and protracted mystery. --Tom Keogh

Beyond The Bourne Ultimatum on DVD

More Bourne

More Action from Universal Studios

More Matt Damon

Stills from The Bourne Ultimatum (Click for larger image)

The often breatht! aking, final installment in the Bourne trilogy finds th! e titula r assassin with no memory closing in on his past, finally answering his own questions about his real identity and how he came to be a seemingly unstoppable killing machine. Matt Damon returns for another intensely physical performance as Jason Bourne, the rogue operative at war with the CIA, which made him who and what he is and managed to kill his girlfriend in the series' second film, The Bourne Supremacy. Now looking for payback, Bourne goes in search for the renegade chief of CIA operations in Europe and North Africa, partnering for a time with a mysterious woman from his past (Julia Stiles) and constantly--constantly--on the run from assassins, intelligence foot soldiers, and cops. Directed by Paul Greengrass (United 93) with the director’s thrilling, trademark textures and shaky, documentary style, The Bourne Ultimatum is largely a succession of action scenes that reveal a lot about the story’s characters while they’re under duress. Joan Alle! n, Albert Finney, David Strathairn, Scott Glenn, and Paddy Considine comprise the film’s terrific supporting cast, and the well-traveled movie leads viewers through Turin, Madrid, Tangiers, Paris, London, and New York. Overall, this is a satisfying conclusion to Bourne’s exciting and protracted mystery. --Tom Keogh

Beyond The Bourne Ultimatum on DVD

More Bourne

More Action from Universal Studios

More Matt Damon

Stills from The Bourne Ultimatum (! Click fo r larger image)

#1 NEW YORK TIMES BESTSELLER
 
At a small-town carnival, two men, each mysteriously summoned by telegram, witness a bizarre killing. The telegrams are signed “Jason Bourne.” Only they know Bourne’s true identity and understand that the telegrams are really a message from Bourne’s mortal enemy, Carlos, known also as the Jackal, the world’s deadliest and most elusive terrorist. And furthermore, they know what the Jackal wants: a final confrontation with Bourne. Now David Webb, professor of Oriental studies, husband, and father, must do what he hoped never to do againâ€"assume the terrible identity of Jason Bourne. His plan is simple: to infiltrate the politically and economically omnipotent Medusan group and use himself as bait to lure the cunning Jackal into a deadly trapâ€"a trap from which only one of them will escape.

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High Tension

• DVD Details: Actors: Cecile De France, Maiwenn Le Besco, Philippe Nahon, Franck Khalfoun, Andrei Finti
• Directors: Alexandre Aja
• Format: Closed-captioned, Color, Dolby, Dubbed, DVD, Full Screen, Subtitled, NTSC
• Aspect Ratio: 1.33:1; Number of discs: 1; Studio: Lions Gate
• DVD Release Date: October 11, 2005 ; Run Time: 91 minutes

HIGH TENSION - DVD MovieHome to some of the world's best food and fashion, the French also have the wonderful habit of producing some of the world's best movies. With High Tension, French director Alexandre Aja offers up a bloody buffet of terror; a violent concoction of style over substance, with a bloody French twist. Two college girlfriends, Maria and Alex, take a weekend to study at the secluded country home of Alex's parents. Shortly after their arrival, a mysterious killer appears, and things take a shockingly terribl! e turn for the worse. As the horror and body count rises, Maria and Alex find themselves fighting for their lives, and it's revealed that things are not exactly as they seem. Essentially a one-act cat-and-mouse affair, High Tension is an explosive bloody thrill ride that rarely lets up. Oozing style in every color-saturated frame and boasting some intense performances, Aja mainly succeeds in sustaining an intense momentum throughout the film. The plot occasionally suffers from a thin, flimsy storyline, and the abundant graphic scenes of violence will either thrill and delight, or simply disgust. Nonetheless, this adrenalin-fueled addition to the genre gives the American slasher flick a real run for its money. High Tension is high-art horror, and comes highly recommended. --Matt WoldHIGH TENSION is an intense game of murder and survival, which will rattle viewers to their core. Marie and Alexia are classmates and best friends who go to Alexiaâ€! ™s family home in the French countryside hoping to prepare for! their c ollege exams in peace and quiet. In the dead of night, a psychotic killer breaks into the house, and with the first swing of his knife, the girl’s idyllic weekend turns into an endless nightmare. When Alexia is captured and thrown into a van, Marie attempts to rescue her friend from the evil murderer. High Tension truly brings slasher films back to their roots with this gore-addled film, packed with blood and guts.For much of its running time, High Tension earns its title as a gory and suspenseful tale of hot pursuit. Originally titled Switchblade Romance in England, and trimmed of its most excessive gore to avoid an NC-17 rating during its brief U.S. theatrical release, this French horror film provokes a memorable case of high anxiety from its alluring female lead (Cecile de France), but it's an otherwise brainless exercise with a ludicrous conclusion that renders the entire film null and void. It's essentially a Texas Chainsaw wanna-be, which isn't s! uch a bad thing if you're a horror buff with an appetite for gruesome death at the hands of a brutal and nameless serial killer. Dressed in greasy coveralls and a baseball cap, and driving a rusty old delivery van, the killer indiscriminately destroys an entire family before chasing after the tomboyish Marie (de France), who is trapped in a nonsensical screenplay that won't let her go. With a high body count and buckets of bloodshed, High Tension has moments of delirious intensity, which is probably why Lion's Gate (bolstered by the success of Saw and other horror hits) deemed the film worthy of U.S. release with some (but not all) of its French dialogue badly dubbed in English. It's horror for die-hards only, and on those terms it's worth a look. --Jeff ShannonHIGH TENSION - DVD MovieFor much of its running time, High Tension earns its title as a gory and suspenseful tale of hot pursuit. Originally titled Switchblade Romance in England, a! nd trimmed of its most excessive gore to avoid an NC-17 rating! during its brief U.S. theatrical release, this French horror film provokes a memorable case of high anxiety from its alluring female lead (Cecile de France), but it's an otherwise brainless exercise with a ludicrous conclusion that renders the entire film null and void. It's essentially a Texas Chainsaw wanna-be, which isn't such a bad thing if you're a horror buff with an appetite for gruesome death at the hands of a brutal and nameless serial killer. Dressed in greasy coveralls and a baseball cap, and driving a rusty old delivery van, the killer indiscriminately destroys an entire family before chasing after the tomboyish Marie (de France), who is trapped in a nonsensical screenplay that won't let her go. With a high body count and buckets of bloodshed, High Tension has moments of delirious intensity, which is probably why Lion's Gate (bolstered by the success of Saw and other horror hits) deemed the film worthy of U.S. release with some (but not all) of its ! French dialogue badly dubbed in English. It's horror for die-hards only, and on those terms it's worth a look. --Jeff Shannon

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Dead Guy Spy (Nathan Abercrombie, Accidental Zombie)

• ISBN13: 9780765325075
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Nathan Abercrombie is getting used to his rotten life as a half-dead zombie. The good thing is he doesn’t feel any pain. The bad thing is his body can’t heal, so he has to be really careful not to break anything. But that’s hard to do when his wrestling-obsessed gym teacher, Mr. Lomux, matches him up with Rodney the bully, who’s looking for any excuse to break his bones. Then one day, Nathan is approached by the secret organization B.U.M.â€"aka the Bureau of Useful Misadventuresâ€"which offers him a cure in exchange for his help. Nathan jumps at the chance to become the world’s first zombie spy, but soon discovers that B.U.M. isn’t quite what it seems. Can Nathan trust them?

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