Friday, December 2, 2011

Dracula - Dead and Loving It

  • A comic reinvention of the Bela Lugosiic about a Transylvanian vampire who works his evil spell on a perplexed group of Londoners. Mel Brooks's Count is a pratfalling evil prince of a guy who believes in long relationships. Brooks portrays vampire hunter Van Helsing, who won't give a bloodsucker an even break.Running Time: 90 min. Format: DVD MOVIE Genre: COMEDY Rating: PG-13 Ag
A comic reinvention of the Bela Lugosi classic about a Transylvanian vampire who works his evil spell on a perplexed group of Londoners. Mel Brooks's Count is a pratfalling evil prince of a guy who believes in long relationships. Brooks portrays vampire hunter Van Helsing, who won't give a bloodsucker an even break.

DVD Features:
Audio Commentary:Commentary by director/co-writer Mel Brooks, co-stars Steven Weber and Amy Yasbeck, and co-writers Rudy De Luca and Steve Haberman
Theatrical Trail! er

In 1995, it was promising to hear that Mel Brooks was creating "the companion piece to Young Frankenstein." He had also brought in the heavyweight of deadpan--Leslie Nielsen. As Lt. Frank Drebin in the Police Squad movies, Nielsen has no peer for silly stuff--just the player Brooks would seem to need for a strong movie, as any fan of Brooks perpetually hopes a new film may rekindle his madcap magic. Alas, the end results in Dracula: Dead and Loving It include a sprinkling of amusements and one big belly laugh. Brooks and his writers use a very tight adaptation of Bram Stoker's novel, but the spoofs can be spelled out as we go, as if they are paint-by-number. Some are jabs at Coppola's version of Dracula, but most are attached to classic Dracula films. If any real pleasure comes from the movie it's thanks to the efforts of the cast. Peter MacNicol plays the crazed Renfield to the letter, Steven Weber has a good time as the tight Bri! tish Harkin, and Lysette Anthony charms as the doomed Lucy. Br! ooks and Nielsen ham it up just fine. There's even a surprisingly controlled performance by Harvey Korman (a character spoofing Anthony Hopkins's role in the misfire The Road to Wellville). As with Brooks's period comedies, the film looks better than it needs to and includes a few tricky special effects for good measure. This has nothing to do with the audience laughing--we need bigger jokes. And when you double over laughing in one scene--involving a stake through the heart and a bucket of blood--you want the movie to achieve Brooks's days of glory, when hearty laughter was the norm, not an isolated moment. --Doug Thomas

Big Trouble

  • The laughs come fast and furious as Tim Allen (JOE SOMEBODY, GALAXY QUEST) and Rene Russo (SHOWTIME, THE THOMAS CROWN AFFAIR) star in a film from Barry Sonnenfeld, director of GET SHORTY and MEN IN BLACK. Based on humorist Dave Barry's best-selling first novel, BIG TROUBLE follows the comedic chaos created when a mysterious suitcase that threatens the security of Miami changes the lives of a d
BIG TROUBLE - DVD MovieThe frantic pacing of Big Trouble is surely intentional, but the movie leaves you wanting more of... something. Not more characters--it's got plenty of those--but more room for them to breathe in a top-heavy plot that recalls Get Shorty (also directed by Barry Sonnenfeld) without reaching those heights of ingenuity. Based on the bestseller by syndicated Miami Herald columnist Dave Barry, this Miami-based mayhem bears the distinct imprint of Barry's humo! r, in which absurdities pile up like rush-hour traffic, involving a former journalist (Tim Allen) connected by circumstance to a wealthy schemer (Stanley Tucci), his bored wife (Rene Russo), Russian mobsters, mismatched cops (Janeane Garofalo, Patrick Warburton), power-crazed FBI agents (Heavy D, Omar Epps), a Frito-loving drifter (Jason Lee), cretinous criminals (Tom Sizemore, Johnny Knoxville), and a gigantic toad that shoots hallucinogenic saliva. Culminating in an airport bomb smuggling (prompting the film's delayed release after the tragedy of September 11, 2001), Big Trouble needs the brilliant cohesion of Dr. Strangelove; what it gets is Sonnenfeld's knack for sustained chaos, and a few decent belly laughs. --Jeff Shannon
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The Voyage of La Amistad: A Quest for Freedom

  • On the morning of June 28, 1839, the schooner La Amistad set sail from Havana, Cuba, with a cargo that included 53 Africans who had been abducted from Sierra Leone and sold into slavery in violation of international law. Unaware of their fate and fearing they would be killed, the Africans revolted, sparing only two crew members to guide the ship eastward to their home. After a two-month voyage on
An epic journey of one mans fight for his life and his freedom. This story of courage and determination is presented by a director whose vision goes to the heart of the story and the soul of its characters. Once again steven spielberg has created a film event that will never be forgotten. Studio: Paramount Home Video Release Date: 02/13/2007 Starring: Morgan Freeman Djimon Hounsou Run time: 155 minutes Rating: R Director: Steven SpielbergSteven Spielberg's most simplistic, sanitized history les! son, Amistad, explores the symbolic 1840s trials of 53 West Africans following their bloody rebellion aboard a slave ship. For most of Schindler's List (and, later, Saving Private Ryan) Spielberg restrains himself from the sweeping narrative and technical flourishes that make him one of our most entertaining and manipulative directors. Here, he doesn't even bother trying, succumbing to his driving need to entertain with beautiful images and contrived emotion. He cheapens his grandiose motives and simplifies slavery, treating it as cut- and-dry genre piece. Characters are easy Hollywood stereotypes--"villains" like the Spanish sailors or zealous abolitionists are drawn one-dimensionally and sneered upon. And Spielberg can't suppress his gifted eye, undercutting normally ugly sequences, such as the terrifying slave passage, which is shot as a gorgeous, well-lit composition. At its core, Amistad is a traditional courtroom drama, centered by ! a tired, clichéd narrative: a struggling, idealistic young l! awyer (M atthew McConaughey) fighting the crooked political system and saving helpless victims. Worse yet, Spielberg actually takes the underlying premise of his childhood fantasy, E.T. and repackages it for slavery. Cinque (Djimon Hounsou), the leader of the West African rebellion, is presented much like the adorable alien: lost, lacking a common language, and trying to find his way home. McConaughey is a grown-up Elliot who tries communicating complicated ideas such as geography by drawing pictures in the sand or language by having Cinque mimic his facial expressions. Such stuff was effective for a sci-fi fantasy about the communication barriers between a boy and a lost alien; here, it seems like a naive view of real, complex history. --Dave McCoyOn the morning of June 28, 1839, the schooner La Amistad set sail from Havana, Cuba, with a cargo that included 53 Africans who had been abducted from Sierra Leone and sold into slavery in violation of international l! aw. Unaware of their fate and fearing they would be killed, the Africans revolted, sparing only two crew members to guide the ship eastward to their home. After a two-month voyage on a zigzag course, La Amistad was finally captured at Long Island, New York, where the Africans were jailed and charged with piracy and murder.

Garden of Eden

  • ISBN13: 9780684804521
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Think you know how the game of baseball began? Think again.

Forget Abner Doubleday and Cooperstown. Forget Alexander Joy Cartwright and the New York Knickerbockers. Instead, meet Daniel Lucius Adams, William Rufus Wheaton, and Louis Fenn Wadsworth, each of whom has a stronger claim to baseball paternity than Doubleday or Cartwright.

But did baseball even have a fatherâ€"or did it just evolve from other bat-and-ball games? John Thorn, baseball’s preeminent historian, examines the creation story of the game and finds it all to be a gigantic lie, not only the Doubleday legend, so long recognized with a wink and a nudge. From its earliest days baseball was a vehicle for gambling (much like cricket,! a far more popular game in early America), a proxy form of class warfare, infused with racism as was the larger society, invigorated if ultimately corrupted by gamblers, hustlers, and shady entrepreneurs. Thorn traces the rise of the New York version of the game over other variations popular in Massachusetts and Philadelphia. He shows how the sport’s increasing popularity in the early decades of the nineteenth century mirrored the migration of young men from farms and small towns to cities, especially New York. And he charts the rise of secret professionalism and the origin of the notorious “reserve clause,” essential innovations for gamblers and capitalists. No matter how much you know about the history of baseball, you will find something new in every chapter. Thorn also introduces us to a host of early baseball stars who helped to drive the tremendous popularity and growth of the game in the postâ€"Civil War era: Jim Creighton, perhaps the first true professional ! player; Candy Cummings, the pitcher who claimed to have invent! ed the c urveball; Albert Spalding, the ballplayer who would grow rich from the game and shape its creation myth; Hall of Fame brothers George and Harry Wright; Cap Anson, the first man to record three thousand hits and a virulent racist; and many others. Add bluff, bluster, and bravado, and toss in an illicit romance, an unknown son, a lost ball club, an epidemic scare, and you have a baseball detective story like none ever written.

Thorn shows how a small religious cult became instrumental in the commission that was established to determine the origins of the game and why the selection of Abner Doubleday as baseball’s father was as strangely logical as it was patently absurd. Entertaining from the first page to the last, Baseball in the Garden of Eden is a tale of good and evil, and the snake proves the most interesting character. It is full of heroes, scoundrels, and dupes; it contains more scandal by far than the 1919 Black Sox World Series fix. More than a history of! the game, Baseball in the Garden of Eden tells the story of nineteenth-century America, a land of opportunity and limitation, of glory and greedâ€"all present in the wondrous alloy that is our nation and its pastime.A sensational bestseller when it appeared in 1986, The Garden of Eden is the last uncompleted novel of Ernest Hemingway, which he worked on intermittently from 1946 until his death in 1961. Set on the Côte d'Azur in the 1920s, it is the story of a young American writer, David Bourne, his glamorous wife, Catherine, and the dangerous, erotic game they play when they fall in love with the same woman. "A lean, sensuous narrative...taut, chic, and strangely contemporary," The Garden of Eden represents vintage Hemingway, the master "doing what nobody did better" (R. Z. Sheppard, Time).

Trademark Silver Survival Knife With Survival Gear Knives, Silver

  • 440 stainless steel
  • The overall length is 12 inches from head to toe
  • the blade is almost 6 inches
  • Blade sharpening stone w special pocket on sheath
  • The blade is partially serrated
The Full Tilt Survival knife is a dream knife for just about anybody. Dressed in silver, designed to do “business” it holds no surprises or setbacks. Just a super-strong blade, 440 stainless steel. From first impression, you know what its designed for, and it will do just that â€" what you ask of it. The overall length is 12 inches from head to toe, the blade is almost 6 inches, which means you get plenty of handle to hold onto when you are “at work”Hidden hollow handle with a compassmatches, needles, fishing hook and lineleather like sheath with belt loopBlade sharpening stone w special pocket on sheathThe blade is partially serrated, allowing an expanded repertoire of functi! ons. Steel pommel, capable of delivering deadly blows with a durable back rubber handle. Does what it looks like it can do.

Cloud b Mimicking Monkey

  • Plays three unique sounds for fun and sleep: Monkey fun, Angel falls, Lullaby
  • Records voices over all sound options
  • Illustrated storybook and adoption certificate
Hot leading man Rupert Everett (AN IDEAL HUSBAND, MY BEST FRIEND'S WEDDING) stars in a sexy thriller that's all about jealousy, passion, revenge ... and a woman compelled to live her life on the edge! Tired of criminal activity, a wild and beautiful thief named B. (Asia Argento -- QUEEN MARGOT) begins to seek a way out of her dangerous profession. While trying to kick her addiction to crime, she finds love and a stable relationship with a naive schoolteacher (Jared Harris -- I SHOT ANDY WARHOL) ... until the dark secrets from B.'s past begin to creep into her new life! As ex-partners Paul (Everett) and Bruno (Jonathan Rhys-Meyers -- MICHAEL COLLINS) get back in the picture, B.'s harrowing balancing act threatens to c! ome crashing down!Director Michael Radford made a surprising about-face from his international hit Il Postino to this grungy British romantic crime thriller. Asia Argento (Dario's daughter and costar of Abel Ferrara's New Rose Hotel) is the title character, a street criminal whose specialty is breaking and entering: "I can get into anywhere." Jared Harris (Richard's son and Andy Warhol in I Shot Andy Warhol) is a bookish, shy schoolteacher with a yen for jazz who becomes smitten with Argento's sexy wildcat. Argento brings a vitality to the supercharged street thief trying to break with her past, but stick-in-the-mud Harris is restrained to a fault and Radford never quite finds the right chemistry to make their union any more than curious. Rupert Everett costars as a smart-mouthed, sleepy-eyed ne'er-do-well whose drug habit puts him deep in debt, and Jonathan Rhys-Meyers is Argento's volatile partner, a jittery young punk on a hair trigger. Radford has m! ore fun with the villains than his ostensible hero; the film b! ubbles w hen they're on screen and the movie's single heist scene is a short, sharp, energized shot in the arm to a slowing story. Only Harris sticks out as an impossibly resolute saint who's dedicated his life to a passionate sinner. The conclusion reverberates with echoes of Straw Dogs, as remade by a kinder, gentler filmmaker. --Sean Axmaker Rupert Everett stars in this sexy thriller that's all about jealousy, passion, revenge and a woman compelled to live her life on the edge.
Tired of criminal activity, a wild and beautiful thief named B. (Asia Argento) begins to look for a way out of her dangerous profession. While trying to kick her addiction to crime, she finds love with a naive schoolteacher (Jared Harris)â€"until the dark secrets from B.'s past begin to creep into her new life. As ex-partners Paul (Everett) and Bruno (Jonathan Rhys Meyers) get back in the picture, you'll feel the intensity build as B.'s harrowing balan! cing act threatens to come crashing down.ASIA ARGENTO PACK:SCARLET DIVA/LOVE B - DVD Movie12 MONKEYS SPECIAL EDITION - DVD MovieInspired by Chris Marker's acclaimed short film LaJetée (which is included on the DVD Short 2: Dreams), 12 Monkeys combines intricate, intelligent storytelling with the uniquely imaginative vision of director Terry Gilliam. The story opens in the wintry wasteland of the year 2035, where a virulent plague has forced humans to live in a squalid, oppressively regimented underground. Bruce Willis plays a societal outcast who is given the opportunity to erase his criminal record by "volunteering" to time-travel into the past to obtain a pure sample of the deadly virus that will help future scientists to develop a cure. But in bouncing from 1918 to the early and mid-1990s, he undergoes an ordeal that forces him to question his own perceptions of reality. Caught between the dangers of the past and the devastation of the future, he e! ncounters a psychiatrist (Madeleine Stowe) who is initially co! nvinced he's insane, and a wacky mental patient (Brad Pitt in a twitchy Oscar-nominated role) with links to a radical group that may have unleashed the deadly virus. Equal parts mystery, tragedy, psychological thriller, and apocalyptic drama, 12 Monkeys ranks as one of the best science fiction films of the '90s, boosted by Gilliam's visual ingenuity and one of the finest performances of Willis's career. --Jeff ShannonDirector Michael Radford made a surprising about-face from his international hit Il Postino to this grungy British romantic crime thriller. Asia Argento (Dario's daughter and costar of Abel Ferrara's New Rose Hotel) is the title character, a street criminal whose specialty is breaking and entering: "I can get into anywhere." Jared Harris (Richard's son and Andy Warhol in I Shot Andy Warhol) is a bookish, shy schoolteacher with a yen for jazz who becomes smitten with Argento's sexy wildcat. Argento brings a vitality to the supercharged ! street thief trying to break with her past, but stick-in-the-mud Harris is restrained to a fault and Radford never quite finds the right chemistry to make their union any more than curious. Rupert Everett costars as a smart-mouthed, sleepy-eyed ne'er-do-well whose drug habit puts him deep in debt, and Jonathan Rhys-Meyers is Argento's volatile partner, a jittery young punk on a hair trigger. Radford has more fun with the villains than his ostensible hero; the film bubbles when they're on screen and the movie's single heist scene is a short, sharp, energized shot in the arm to a slowing story. Only Harris sticks out as an impossibly resolute saint who's dedicated his life to a passionate sinner. The conclusion reverberates with echoes of Straw Dogs, as remade by a kinder, gentler filmmaker. --Sean Axmaker Mimicking Monkey's unique dual track voiceover option allows you to record personal messages along with each sound to perfectly transform your child's play, r! elax or bedtime environment. Familiar voices and soothing soun! ds are p roven to calm the mind in order to help children achieve a more peaceful, deeper sleep. Record a soothing message to your child and help ease separation anxiety. Read Mimicking Monkey's storybook and listen to beautiful sounds as your child slowly drifts away into a peaceful slumber.

Harvard Beats Yale 29-29

  • Harvard Stadium November 23, 1968. With Vietnam raging, Nixon in theWhite House, and issues from civil rights to women's lib dividing thecountry, Harvard and Yale, both teams undefeated for the first time since1909, meet for the annual climax of the Ivy League football season. On theblue-blooded Yale campus, gridiron fever has made local celebrities out of aYale team led by quarterback Brian Dowli
An incredible true story that unfolds like a ripping good yarn... With an uproarious, impossible Hollywood ending (Andrew O Hehir, Salon.com), Harvard Beats Yale 29-29 is filmmaker Kevin Rafferty s (The Atomic Cafe) acclaimed documentary depicting one of the most legendary games in the history of sports. Harvard Stadium November 23, 1968. With Vietnam raging, Nixon in the White House, and issues from civil rights to women's lib dividing the country, Harvard and Yale, both teams undefeated for the fi! rst time since 1909, meet for the annual climax of the Ivy League football season. On the blue-blooded Yale campus, gridiron fever has made local celebrities out of a Yale team led by quarterback Brian Dowling, who hadn t lost a game that he finished since the 7th grade, and who was the role model for Doonesbury s B.D. At civil unrest scarred Harvard, a melting pot team of working class players, antiwar activists, and a decorated Vietnam vet set aside their differences for the Big Game. Together, Yale and Harvard stage an unforgettable football contest that baffled even their own coaches. Using vintage game footage and bracingly honest contemporary interviews with the players from both sides, including Harvard lineman and future Oscar® winner Tommy Lee Jones (No Country for Old Men), Rafferty crafts an alternately suspenseful, hilarious, and poignant portrait of American lives, American sports, and American ideals both tested on the playing field and transformed by turbule! nt times.

Special Features:
- Bonus Interviews (73 m! in.) Add itional interview excerpts not included in the film, the players provide a deeper look at the season, the game, and its aftermath.
- Theatrical Trailer

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